A Comparison between Byronic Heroism and Chinese Heroism开题报告

 2022-07-13 15:41:11

1. 研究目的与意义

A hero is a person or main character of a literary work who, in the face of danger, combats adversity through impressive feats of ingenuity, bravery or military strength, often sacrificing his or her own personal concerns for some greater good.

The term of Byronic hero appears from some characters in the works of 18th-century poet Byron, including Childe Harold in Childe Harold''s Pilgrimage, #8220;Manfred#8221; in Manfred, #8220;Cain#8221; in Cain, etc. One of the most significant features of Byronic heroes is rebellious. They not only revolt the so-called authorities and tyrannical rule, but also the pedantic social customs and norms. In the end, this kind of rebellion sublimates and becomes to the rebellion against their fate. For example, Harold defected from the society in the form of travel abroad, while Manfred use his own death to challenge human#8217;s fate. In addition, Gain rebelled fiercely to the ideological authority - god. It should be said that their rebellion are highly personal, with their own personality and emotion to challenge everything. Byronic heroes, with strong resistance spirit, have exerted positive influence on the revolution of those people under the oppress of tyranny and exploitation.

Coincidently, heroes in novel Water Margin, which reflected the traditional Chinese heroism and laid bare Criticized the cruel and hypercritical of feudalism, are similar to the heroes in Byron#8217;s works-full of rebellious spirit and individual heroism. They advocated the spirit to fight with crime and help the good people like Lu Zhishen fisted Zhen Guanxi#8221;, #8220;Wu yong robbed the birthday present wisely#8221;, #8220;Wu song fought with tiger#8221;. Nevertheless, these two kinds of heroes have many differences. For example, heroes in Water Margin have different love view and social background with heroes in Byron#8217;s works.

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2. 研究内容和预期目标

Research contents:

1.Typical hero characters in Byron#8217;s works and Water Margin

2.Similar and different features in Byronic heroism and Chinese traditional heroism in Water Margin

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3. 国内外研究现状

Heroism is a permanent theme in human#8217;s mental life. It generates and develops with the advancement of civilization. One of the most attractive and interesting heroism is Byronic heroic which came from Oriental Tales, one of Byron#8217;s works.

Rebellion, tragic fate and liberalism are representative features of those heroes. They were dissatisfied with the realty but cannot find a way out. They were brave, proud, lonely and full of enthusiasm, but finally ended in death and failure which is similar with the fate of heroes in Water Margin like Song Jiang. There are a variety of analysis on it such as the characteristics of those heroes and the reflection of author#8217;s metal world. In addition, some comparison with other heroes like Santiago in The Old Man and the Sea. However, comparing Byronic heroism with heroism in Chinese tradition novel Water Margin is a blank place in Byronic heroism analysis.

This new contrast between two heroism would be attractive and meaningful that can find both similarities and diversities and finally figure out the culture origin of these differences.

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4. 计划与进度安排

Research methods are as follows:

1.Gathering relevant information on the Internet.

2.Reading Byron#8217;s works( The Corsair 1814, Childe Harold''s Pilgrimage, Don Juan) and Water Margin.

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5. 参考文献

[1]The Byronic Hero.Peter Thorslev [B].University of Minnesota Press1962Project MUSE

[2]On Byronic Heroism in Don Juan李曼琦 [J].大众文艺, 2011, (03), pp.134CNKI

[3]Byronic Hero and the Comparison With Other HeroesWei ZHAO [J].Studies in Literature and Language, 2015, Vol.10 (6), pp.29-32CSCanada

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[11]潘星晔.《水浒传》女性观探究[D].曲阜师范大学,2013.

[12]赵艳梅.《水浒传》的英雄主义和西方骑士精神之对比[A].中国英汉语比较研究会(ChinaAssociationforComparativeStudiesofEnglishandChinese(CACSEC)).中国英汉语比较研究会第十次全国学术研讨会暨2012英汉语比较与翻译研究国际学术研讨会会议日程和摘要汇编[C].中国英汉语比较研究会(ChinaAssociationforComparativeStudiesofEnglishandChinese(CACSEC)):,2012:1.

[13]唐波.从《水浒传》女英雄形象看女性角色意识的觉醒和转型[J].牡丹江师范学院学报(哲学社会科学版),2007,02:28-30.

[14]李银贞.从中国三部小说看中国江湖文化[D].山东大学,2013.

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