Analysis on the three big spiritual props of the heroine of Gone with the Wind开题报告

 2022-07-17 13:56:06

1. 研究目的与意义

Gone with the Wind is a great masterpiece written by Margaret Mitchell who had spent 10 years on it. Once the masterpiece came out on June 30, 1936, it soon broke records in sales in American publishing history and later it won the prize of Pulitzer. Till now, it still plays a significant role in world literature field and the novel#8217; s charm still deeply impresses countless modern people. The novel takes the American southern social environment in the Civil War as its whole background，with the heroine, Scarlett O#8217; Hara#8217; s life as its main line to depict the changing of the southern people during the war. [这样的长句子尽量少用，后面撰写过程中少用and.可以考虑，用两个简单句。

]As the main line[] of the story, Scarlett#8217; s life is not full roses all the way. After her failure of pursuit for Ashley#8217; s love in her girlhood, she successively suffers from the war#8217; s destruction to her homeland, death or leaving of her family, three failure marriage, poverty, huge social transition and so on. However, from the beginning to the end, she is the strongest one among the people who has endured the hardship as her. To some extent, her inner spiritual world is much more powerful than anyone else in the novel. She is not afraid of anything and adjusts herself well to the changing situation.This paper explores and analyzes what elements keep Scarlett#8217;s strong will to struggle against tough fate from the perspective of her inner spiritual world. Through the study, we can have a better understanding of the image of Scarlett and gain some enlightenment for modern people.

2. 研究内容和预期目标

This paper take[注意，通用一般现在时]s the heroine of Gone with the wind as the study object to analyze her inner spiritual world. Then, it finds out what support her to fight against tough fate and what help her to [分两句]grow into a powerful woman. At first, this paper will introduce an account of the novel#8217;s author#8217;s life, the novel#8217;s main contents and its creation background. Then, after literature review, from three aspects, namely, homeland consciousness, tomorrow consciousness and rebellion consciousness, the paper will analyze what Scarlett#8217; s strength lies. Finally, this paper draw[]s a conclusion and give some enlightenment to modern people.1.Introduction2.Literature review 3.The happy and naive Scarlett before the war4.The first corner of Scarlett#8217; s spiritual world―homeland consciousness3.1. Tara―a harbor behind suffering3.2. Save Tara at any cost3.3. The implied meaning of Scarlett#8217; s dreams5.The second corner of Scarlett#8217; s spiritual world―tomorrow consciousness4.1. Hope for a bright tomorrow after bitter life (compare with Ashley)4.2. Hope for a bright tomorrow of her pursuing love6.The third corner of Scarlett#8217; s spiritual world― rebellion consciousness5.1. Rebel against traditional female role (compare with Melanie )5.2. Rebel against traditional morality (compare with Rhett )7.Conclusion8.Reference

3. 国内外研究现状

A vast lot of studies have been done on Gone with the Wind from various perspectives since the publication of the novel. In the last 80 years, the majority of research was connected with the American culture, slavery, images#8217; characters, feminism, love theme and so on. Someone considers it as a encyclopaedia of plantation; some suggests that it#8217; s an annals of the U. S Civil War or a single romantic love story; also some criticizes it to be a sensation novel which advocates decadent ideology of capitalism.He Hong-juan[如果特别引用了某个评论家，后面要加一句介绍，比如He Hong-juan，the well known critics of Gone with the Wind,], a well-known critic of , in her study, mentions the Civil War and the social transition. The war destroys the old social economic order so that then people including Scarlett must change themselves to adjust to the newly-born society for survival. The war frees black slaves and after the war, northern industrial capitalism continually invades the restructuring southern American, follow that, those new ideas of independence, freedom and equality begin to be accepted by southern Americans. With the weakening of men#8217; s absolute social status and power, women#8217; s social status rises.Zhang Lin makes a analysis on Scarlett#8217; s feminist consciousness from her different characters and her affection to her homeland,Tara. Later, Tang Li-na further discusses about it from the perspective of Scarlett#8217; s role played in male-dominated society. Ding Zhao-xia focuses on the growth of Scarlett#8217; s feminist consciousness by dividing it into three stages and she mentions[注意时态统一，应该都用一般现在时，下同，请逐一修改，后面撰写论文时要注意。

] that Scarlett has feminist consciousness all the time, she just hides it to cater to the traditional gender role or turns it into other things when she is young. Based on the above, from the angle of feminism, Scarlett#8217; s rebellion consciousness could be showed.The images of Tara is tightly connected with the heroine, Scarlett#8217; s whole life and emotions. Zhang Dai-sheng points Scarlett#8217; s loyalty and affection conveys an unique American culture― land-reclamation[？] culture. Zheng Li, through comparative study, explores Scarlett#8217; s deep homeland consciousness during the process of disliking home, leaving home, going back home and fighting for home, homeland gives her continual spiritual force.#8216; Tomorrow is another day#8217; is well-known motto of Scarlett. Wei Zhen-hua describes Scarlett#8217; s struggling experience for survival and love life and digs out her hidden personality, the tomorrow consciousness; he divides it into four aspects. Tomorrow consciousness is a common feature of Americans, as Ge Lan said, if say the book title, Gone with the Wind, is a euphemism of their tomorrow consciousness, then the Scarlett#8217; s motto is a completely direct expression of their desire and confidence towards tomorrow.Under Scarlett#8217; s skin, she is a rebellious, open and independent woman. As Ma Jia-ying writes, she dares to show directly love for Ashley and trys to persuade him to elope with her; for love, she is tough enough and willing to pursue it at any cost. Duan Su-ping admires Scarlett#8217; s independent and open spirit; Scarlett is the master of her life, love and marriage; she pays her attention not only on today but also on future. In south, like what welter Barbara said, genuine woman#8217; s temperament is about piety, purity, obedience and devotion to family. But Scarlett was not the kind of woman. Jiang Hui-hui talks about Scarlett#8217; s first two marriages: the first time is for spiritual independence, and the second time is for economic independence.The majority research just focuses on one aspect among the above to analyze the characteristics of Scarlett. This paper analyzes three kinds of consciousness embodied on Scarlett together to explore her inner spiritual world comprehensively.

4. 计划与进度安排

2022.11.27 finish the selection of topic of paper;2022.12.15 finish the thesis proposal;2022.1.20finish the first draft2022.4.10finish the intermediate inspection2022.5.16finish the final paper2022.6.10finish the thesis defense

5. 参考文献

[1]DING Zhao-xia. The Growth of Scarlett#8217; s Consciousness of Feminism in Gone with the Wind[J]. Overseas English, 2014 (10): 193-194.[2]GAN Ying. The Eternal Sarlett from Gone with the Wind[J]. English Square (Academic Research), 2011(6): 13-15. [3]HE Hong-juan. The Woman#8217; s Dilemma during the Period of Social Transition― An Interpretation on Gone with the Wind[J]. Journal of Fujian Institute of Financial Administrators, 2008, (2): 54-60.[4]LIU Juan. Analysis of the Back-Up Forces behind Scarlett in Gone with the Wind[J]. Overseas English, 2010, 3(4): 127-130.[5] Mitchell, Margaret. Gone with the Wind[M]. Beijing: Foreign Languages Press, 2007.[6]SHAO Qian-ying ZHANG Jin-wei. Analysis of the Positive Personalities of Scarlett in Gone with the Wind[J]. Overseas English, 2013(13): 194-195.[7]Simone de Beauvoir. The Second Sex[M]. New York: Knopf. 1953.[8]SUI Hong-sheng YANG Yi-ren. The Home consciousness in Gone with the Wind[J]. Journal of Ningbo University, 2005, 18(1): 63-65.[9]SUN Li-ying. Between Tradition and Reality― An Analysis of American Southern Women#8217; s Fates in Three American Writers#8217; Works[D]. Wuhan: Central China Normal University, 2007.[10]WANG Si-si. On the Causes of Scarlett#8217; s Character in Gone with the Wind[J]. Overseas English, 2013, 22(2): 238-239.[11]XIANG Yi. Gone with the Wind and Women#8217; s Awakening[J]. Overseas English, 2013, 15(2): 206-207.[12]ZHAO Xiao-ou. Rose in the Hard Times―Scarlett#8217; s Growing up with Resistance[D]. Hebei University, 2008.[13]段苏平.《飘》中斯嘉丽的精神解读[J]. 电影文学, 2010(12): 99-100.[14]葛兰.《飘》与美国人的未来意识[J]. 名作欣赏, 2009(15): 92-94.[15]韩阳. 小说《飘》中主人公斯嘉丽的反叛精神解析[J]. 安徽文学, 2014(12): 65-66.[16]李雯宇. 小说《飘》中白瑞德形象简析[J]. 保山学院学报, 2016, 35(3): 31-35.[17]马佳瑛. 多重性格的结合体―浅析《飘》的女主人公斯嘉丽[J]. 青年文学家, 2010(7):24.[18]唐丽娜. 从未随风而逝―《飘》的女性意识[J]. 湘潭师范学院学报, 2008(5): 83-84.[19]陶淑琴. 女作家身心分裂的抒写―论郝思嘉和媚兰的形象意义[J]. 贵州民族学院学报, 2009(4): 87-89.[20]韦震华. 解读斯佳丽的#8220;明天#8221;心绪[J]. 广西财政高等专科学校学报, 2002, 15(6): 57-60.[21]张代生.《飘》的原型意向与主题意蕴新探[D]. 吉林大学, 2004.[22]张琳. 回家的路―试论《飘》中的家园意识与女性成长[J]. 中文自学指导, 2006(3): 66-69[23]郑莉.《飘》和《冷山》中的家园意识对比[J]. 社科纵横, 2007, 22(6): 163-165.

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