1. 研究目的与意义
Victor Hugo(1802~1885), the leader of the positive romantic literary movement of the early 19th century, French national poets、playwrights、novelists、political theorists, and literary theorists. His creative activities lasted more than 60 years, which had great influence on the French literature of the 19th century. In Sartre#8217;s words, Hugo was #8220;one of the few truly popular writers in France, Probably the only one#8221;. His creation was called #8220;the Shakespeare of France#8221;. Notre Dame de Paris is a romantic historical novel set in Paris in the fifteenth century. The plot of the book is fascinating, also because its dramatic and tragic rendering, making it attracted the reader#8217;s attention for more than a hundred years. As a classic romantic work, Notre Dame de Paris has eternal vitality. Hugo is portrayed in Notre Dame de Paris by the beautiful and kind Esmeralda, the ugly bellman Casey Modoo, the gloomy bishop, Claude and the others, incorporating his thoughts into the perfect human nature. To express the unrealized suffering in the ordinary ugly reality, the ideal loss and human tragedy constitute the profound tragedy of the works.
2. 研究内容和预期目标
In this paper, we mainly study from which angles the author rendering the whole novel#8217;s tragic color. The main contents are as follows: The first part analyzes Hugo#8217;s rendering and foreshadowing of the tragic color from the use of language. The second part analyzes the main character in the book, and understands how Hugo can portray various characters more fully through the use of various techniques. The third part, through the analysis of the environment, extended to the social reality and religious oppression at that time, which caused the obstacle of the protagonist#8217;s love, further rendering the novel#8217;s tragic color. Analyze the tone of the tragic color in the whole novel, and how the author renders the tragic colors through various angles and the ultimate effect they achieve. CONTENTS 1. Introduction 2. Literature review 2.1 A brief introduction about Notre Dame de Paris 2.2 A brief introduction about Hugo 2.2.1 Study at home about Hugo and his works 2.2.2 Study at abroad about Hugo and his works 3. Character image 3.1 An introduction to the characters 3.2 Clash of affection and love 4. Environmental description 4.1 Social description 4.1.1 Background 4.1.2 Social system 4.2 Religion 5. Human nature 5.1 Comparison of beauty and ugliness 5.2 Humanity and divinity struggle 6. Conclusion 6.1 Problems in research 6.2 Improvement methods and summary Works Cited
3. 国内外研究现状
In CNKI, there are 2037 articles when I retrieved through the keyword #8216;Notre Dame de Paris#8217;, and there are 11 results related to this topic. The data show that this work has a great influence both at home and abroad, attracting domestic and foreign researchers. In our country, the research about Hugo and his creation mostly focuses on his romantic creation method. The research to which Dame belongs should be concentrated on: Hugo''''''''''''''''s Humanitarian Progressiveness, Aesthetic Pursuit, Psychological World, Romanticism, Women''''''''''''''''s Outlook, Historical View and Religious View; In the artistic features of novels, he discusses more about his use of beauty and ugliness, emphasizes psychological description, and recreates society and history with romantic imagination and epic style. There are very few articles on the study of Hugo and Notre Dame de Paris based on the theory of narratology. Yu''''''''''''''''s description of Hugo in 'The Appreciation of Chinese and Foreign Literatures of Image and Prosody' defines Hugo''''''''''''''''s narrative as 'inheriting the tradition of European epic, with ups and downs, Sewing thread.#8221; In western countries, Hugo#8217;s poetry and plays are very famous, but the studies of his novels are fewer than the previous two. In 2002, European Humanities Research Centre published A New Study of Hugo#8217;s Novel,collecting many research papers on Hugo#8217;s novels by experts from the UK and the USA. Considering his novel#8217;s diversity and bizarre narrative style, It has changed our simplistic view of Hugo#8217;s novels. Characters are the most controversial and misunderstood part in his novels. Hugo#8217;s Character and Meaning which published in 2006 provided readers with a deep interpretation of the complexity of the characters. The author''''''''''''''''s research on the narrative art of Notre Dame de Paris is published by OuYang ying called Covering and Unfolding the Notre Dame de Paris; a journal of Yuzhou University also published an article named Philosophical and Social Science Edition in 1998. Master from Huazhong Normal University whose name was Fu Dan, his dissertation Literary Narrative and Architectural Art which was published in 2004.
4. 计划与进度安排
Determine the title of thesis, make plans and search relevant materials before November 10, 2022. Complete the opening report and submit it to the tutor before November 30, 2022Search and read related materials, such as literatures, dissertations, journals and monographs to establish the framework of thesis, and then complete the first draft. Meanwhile, translate related foreign materials and fill in the mid-term check list, after that, submit them to the tutor before March 18, 2022. Revise the thesis and foreign literature translations based on the tutor#8217;s comments and advice, and then finish the final manuscript of the thesis before April 30, 2022. Read the thesis and relevant materials carefully to prepare for thesis defense before May 25, 2022.
5. 参考文献
[1]Bongie,C. Victor Hugo and #8220;The Cause of Humanity#8221;, The translator, 2005, 11(1). [2]Frederick R. Karl. William Faulkner, American Writer, New York: Ballatine Books Harkin, M. Modernist Anthropology and Tourism of the Authentic, Tourism Research, 1995, 22(3): 650-670. [3]Salvo, S. D. Innovation in Lighting for Enhancing the Appreciation and Preservation of Archaeological Heritage, Cultural Heritage, 2014, 15(2): 209-212. [4]Smart, A. The Darkness and Claustrophobia of the City: Victor Hugo and the Myth of Paris, Modern amp; Contemporary France, 2000. [5]Weber, M. The protestant Ethic and the spirit of Capitalism, Rutledge, 2001. [6]White, D. E. Victor Hugo#8217;s Romance Exile, European Romantic Review, 2005. [7]白洋. 简析《巴黎圣母院》中的人物形象. 才智, 2015, (09): 290-291. [8]李晓凡. 《巴黎圣母院》中卡西莫多的悲剧之源. 吉林广播电视大学学报, 2016, (02): 77-78. [9]刘文敏. 《巴黎圣母院》悲剧爱情赏析. 佳木斯教育学院学报, 2013, (06): 119-120. [10]牛玫. 《巴黎圣母院》中伽西莫多的悲剧美. 吉林省教育学院学报(下旬), 2014, 30(06): 119-120. [11]彭丽华. #8220;人性#8221;与#8220;神性#8221;的抗争--从《巴黎圣母院》、《红字》、《荆棘鸟》看西方宗教下的爱情悲剧. 理论学刊, 2009, (04): 123-126. [12]宋娟. 刍议《巴黎圣母院》的浪漫主义特色. 语文建设, 2013, (24): 39-40. [13]王红莉. 扭曲的人性 畸变的爱情--简析克洛德#8226;孚罗洛人格的二重性. 陕西教育学院学报, 2001, (03): 59-61. [14]王新芳. 解读《巴黎圣母院》中爱情的悲剧性. 黑龙江生态工程职业学院学报, 2014, 27(03): 126-127. [15]徐勇. #8220;人性#8221;与#8220;神性#8221;. 南昌大学, 2009. [16]朱菁. 浅析《巴黎圣母院》的#8220;悲剧性#8221;. 读与写(教育教学刊), 2007, (08): 92-93.
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